- #Flashdance ost album cover movie
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It's a 1950's movie-musical that meets ''A Hard Day's Night'' in punk dress. This is a real musical, not a dance-musical, and although the situations in which characters break into song are as improbable as those in ''Flashdance,'' Miss Armstrong manages to forge everything - plot, musical numbers, character development and kooky visual style - into a package of enormous charm and intuitive coherence. The story involves the efforts of another young girl, played by Jo Kennedy, to make it as a rock singer, which she finally does during a pop contest at the Sydney Opera House.
#Flashdance ost album cover movie
Directed by Gillian Armstrong of ''My Brilliant Career,'' the film epitomizes the freshness of the Australian movie and rockmusic scenes these days. Kim Carnes has a vaguely affecting number, but by and large the music serves to remind anyone who's seen the film of its most cynical aspects.Ĭuriously similar in structure to ''Flashdance'' is ''Starstruck'' - both with new waveish women hoping to make it big, both based in bars, both with their women triumphing in the end in their towns' principal temples of high-art culture, both having wisecracking male companions, both of whom show up once in funny-animal suits - crocodile for ''Flashdance,'' kangaroo for ''Starstruck.''īut while ''Flashdance'' emerges at the end as muddled and manipulative, ''Starstruck'' breathes with a cheerful, wonderful innocence. ‘Drive My Car’: In this quiet Japanese masterpiece, a widower travels to Hiroshima to direct an experimental version of Chekhov’s “Uncle Vanya.”īut the LP is really a potpourri, and too much of the music here is in the glossy, corporate dance-rock idiom that gluts the airwaves these days.‘Passing’: Set in the 1920s, the movie centers on two African American women, friends from childhood, who can and do present as white.‘Spencer’: Kristen Stewart stars as an anguished, rebellious Princess Diana in Pablo Larraín’s answer to “The Crown.”.‘Summer of Soul’: Stevie Wonder, Mahalia Jackson, Mavis Staples and others shine in Questlove’s documentary about the Harlem Cultural Festival.Scott and Manohla Dargis, selected their favorite movies of the year. It is right now climbing the singles charts rapidly. What a Feeling,'' sung by Irene Cara in a manner directly evocative of her big hit, ''Fame,'' still possesses a buoyant energy of its own. The two best features of those songs are the title track and Giorgio Moroder. The disk cannot provide the sensuous appeal of Jennifer Beals in the main role and the often arresting imagery of the director, Adrian Lyne.
#Flashdance ost album cover series
But it does offer a series of dance numbers that in turn provide an excuse for a wide range of popular songs, and these are gathered together on the soundtrack (Casablanca 811492-1 M-1).
#Flashdance ost album cover full
That happened a few years ago with ''FM,'' the soundtrack of which reportedly made more money than the film it served to ''accompany.''Ī similar phenomenon may be taking place right now with the soundtrack for ''Flashdance.'' The film itself is a dance-musical: The plot, about a young woman's dream to succeed as a dancer, is full of awkward improbabilities and a kind of unfocused vulgarity. Perhaps the crassest way to salvage a not-very-good film is to assemble a soundtrack of otherwise unavailable songs by well-known recording stars and use it both to publicize the film and to make money on its own. Three examples for the past couple of months help illuminate the shifting relationships between musical films and their aural documentation. Partly for this reason, and partly from a renewed interest by directors and producers in the musical as a cinematic form, we have been deluged recently with film soundtrack albums. Even in this age of record-business recession, the presence of a commercially viable soundtrack LP can bolster the financial fortunes of a film.